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You can freely rotate and lock it in any position. Using the tripod collar and foot makes a significant difference when using the lens on a tripod.

While the lens is on the lighter side of its class, it is still too heavy to easy balance on a tripod. The DN does come with a full set of features.

The only difference from the GM lens is that the Sony has the focus hold button in three cardinal positions so that one falls easily to hand in different orientations.

Another difference is that the Sigma has a typical zoom lock switch which locks only at the mm position, while the Sony utilizes the tension ring like the Canon LII lens that can be used to lock the lens at any position.

Another minor difference is with the lens hood. The GM lens features a little window in the hood to allow one to rotate a circular polarizer without reaching down into the hood.

The Sigma lacks this features, though it does have a relatively small 67mm front filter thread and a nice flare in the lens hood at that point which allows one to reach in to rotate a C-PL fairly easily.

This is good news, as it will satisfy both crowds. We have got a surprisingly thick rubber gasket at the lens mount; definitely more robust than the typical Sony offering.

In fact, Sigma is in the process of releasing both a 1. These are only being released for Leica L-mount at the moment, so there is no mention of a Sony counterpart.

The DN sports a useful magnification figure at mm of Minimum focus distance is 1. One could add an extension tube and, potentially, a teleconverter in the future to allow for closer focus and higher magnification.

One area that Sigma has frequently been at the rear of the pack is when it comes to maximum aperture in their variable aperture zooms.

The Sony goes from F4. It fortunately holds F5. By the way, this follows the pattern established by the DSLR version of this lens almost exactly.

The lens barrel will extend out a fair bit when zoomed to the telephoto end of the zoom range…which is typical for such a lens.

The OS in the lens is rated at 4 stops of assistance, and it seems to be effective for stabilizing in either stills or video applications. As always, it is worth pointing out that no stabilizing system stops the movement of subjects, so if you are photographing living things, it is always wise to keep your shutter speed up.

If you have a very still subject, however, it is possible to get well-stabilized images at lower shutter speeds. I show you real world results because these are actual instances while shooting in AV mode where the shutter speed dropped lower than what I would prefer and the stabilization saved the image.

There is a Mode 2 for panning, and, when tracking action, I work to keep the shutter speed up. The stabilizer did its job by staying out the way on one axis and allowing me to smoothly track the action while providing me some stability at capture…helping me get this brilliant shot.

A closer look shows great detail and frozen action…just what we want with a lens like this. In this case, however, the build and design of the lens is pretty much just right.

Sigma has utilized a stepping motor on this lens for smooth, fast, and quiet operation. The focus motor is extremely quiet and is only audible with your ear pressed against the barrel.

It is quiet enough that the on-board mic does not pick up any focus sounds during video focus or when doing focus pulls.

Good news there. Focus speed in AF-C mode is nice and fast, with typical focus changes being near instant. One can get even better speed by utilizing the focus limiter where appropriate.

I was very pleased to be able to effectively track a robin taking off and in flight against a fairly busy background and even when some foreground objects interfered with the flight path.

I tried to follow the path of a dog chasing a ball and running towards the camera and had very low success even though my Canon L II was able to perform the same task in the same conditions with near perfect results.

I was delighted to see much better results when pairing the new DN with my Sony a9 camera. I got around 15 FPS on my a9, which is about average for my real world results.

Secondly, I want to offer a few caveats about the real world shooting environment for my tracking tests. In this case, the biggest difference is that I tested the Sony GM and G in winter conditions with the dogs running through snow.

The reflection of light from underneath snow more evenly illuminates their faces, and the fact that in this case the dogs were running through water and swimming at times means that their fur was wet and darker, resulting in less contrast between their fur and eyes for the tracking system to detect.

In my opinion this makes the environment a little more challenging than when I tested the Sony lenses, so I do want to keep that in mind.

I want to thank JenGar Goldens for bringing me out with some of their beautiful dogs to track the action. The upside is that through my many series you can see these bursts in the video reviews the focus would always correct back in the series rather than getting stuck out of focus somewhere.

This sequence was fairly representative of what I saw overall. It was capable of getting me many well focused action shots.

If you are doing professional, critical work, you might want to spring for the GM lens, but I think that most photographers will be very pleased with the focus speed and precision of the DN and will be very happy with the results they get from it.

It supports all the various Sony focus modes, including Eye AF for people and animals. This is great progress! The Sigma DN has a moderately complex optical formula with 22 elements in 16 groups.

This includes one FLD element a low dispersion glass and four SLD special low dispersion element to help with aberrations and distortion.

But what kind of performance do those fancy elements give us? The Sigma follows a familiar pattern for vignette and distortion for a telephoto zoom.

The distortion is all of the pincushion variety, and both it and the vignette steadily increase though in moderate amounts throughout the zoom range.

Nothing ugly or unexpected here, though the Sony GM definitely wins on both these counts. Chromatic aberrations are well controlled, and you can see from my LoCA test that there is little evidence of green and purple fringing and that contrast is good.

This proved true with real world results as well, where I saw little evidence of any kind of fringing in my various shots. I plan to make up a second smaller test chart that will help with this for the future.

In the meantime, however, my two sets of results from the Sony GM lens and the newer Sigma lens are not in identical lighting conditions.

Fortunately this has minimal impact on the actual results and we can still draw some quality conclusions. At mm the Canon and the Sigma are very close, with a mild advantage in the center and midframe going to the Canon and a slightly stronger advantage in the corners.

When compared to the GM, the general observations are about the same. The Sony has a small advantage across most of the frame and is probably the best of the three in the corner.

Stopping the DN down to F5. The Sigma is the least sharp at mm of the three, but not by a wide margin.

It is competitive there. The SISwim legend is our cover model! BanX represents rebirth and that beauty boundaries only exist to be broken.

In the magazine , the college professor elaborated on her evolved modeling philosophy. But I want to show that modeling has no age. The issue features 34 women, including a hijab-wearing model posing in a burkini.

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Kyra banx

Kyra Banx Video

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